KAGEL ACUSTICA PDF
Find album reviews, stream songs, credits and award information for Mauricio Kagel: Acustica – Printemps des Arts de Monte Carlo on AllMusic – – Mauricio. Composed between and , Acustica, for experimental sound-producers and loudspeakers, is one of Mauricio Kagel’s radical and. Mauricio Kagel’s Acustica at the Cut and Splice Festival.
|Published (Last):||13 June 2009|
|PDF File Size:||14.71 Mb|
|ePub File Size:||11.53 Mb|
|Price:||Free* [*Free Regsitration Required]|
Tracklist A Erster Teil The two electroacoustic sides are well worth listening to, but I particularly recommend the tremendously complex sounds on the first two sides. There’s a problem loading this menu right now.
Mauricio Kagel: Acustica – Printemps des Arts de Monte Carlo | Songs, Reviews, Credits | AllMusic
The second AGP installment comprises the four parts of Mauricio Kagel’s Acustica, for experimental sound-producers and loudspeakers. The CD should be of strong interest to fans of the acutica and of found and newly created instruments.
If you are a seller for this product, would you like to suggest updates through seller support? Amazon Inspire Digital Educational Resources.
Extrovert unselfconscious loosely structured music on found and homemade instruments with spoken, shouted, and sung cameos. Kagel uses only acusticz few conventional instruments, and they are unconventionally employed i. I am a collector too and i know. Mauricio Kagel’s Acustica, for experimental sound-producers and loudspeakers. Shopbop Designer Fashion Brands.
Mauricio Kagel Acustica – 70 for experimental sound-producers and loudspeakers Performed by Apartment House One of the fundamental thoughts behind this composition is expressed in the actual invention of the sound-sources: Mauricio Kagel ‘s Acustica is a hugely ambitious and effective combination acuwtica electronic and acoustic sounds.
Mauricio Kagel Acustica is perhaps the most refined example of Kagel’s work within his invented genre of ‘instrumental theatre’. Rainy Day Relaxation Road Trip.
A short biography of Kagel from the Universal Edition website:. Have one to sell? It should rather be achieved by similar treatment of instruments and electronic sound-production. The score notes that ‘the piece calls for unorthodox musicians who are prepared to extend the frontiers of their craft’ since few of the ‘experimental sound devices’ specified are conventional instruments and where conventional instruments are included they are to be played in extraordinary ways.
USD Acustuca Date: Terms and conditions apply. Between andhe also made several concert and lecture tours aucstica the USA. Get to Know Us. If you are instead horrified by what strikes you as unspeakable cacophony, we will have to agree to disagree. Share Facebook Twitter Pinterest.
They have a texture somewhat like electronic music, but with more timbral detail owing to the acoustic sound sources. He studied theory, singing, conducting, piano, cello and organ with private teachers, but as a composer was self-taught. Printemps des Arts de Monte Carlo. In Kagel traveled to Germany on a DAAD student grant, settled in Cologne, and became immediately and permanently involved in the contemporary music network as a member of the so-called “second generation” of Darmstadt composers.
Click here and be the first to rate this acustiica The point of departure for this tape-composition was to compound, as homogeneously as possible, two categories of sounds, dissimilar in the nature of accustica production a combination which seemed qcustica me over-simplified when produced by means of a metamorphosis of the concrete recordings by filtering, ring modulation and alteration of the tape playback.
MAURICIO KAGEL ACUSTICA ELECTROACOUSTIC 2-LP VINKO GLOBOKAR-EDWARD TARR MINT-NWW
Even the tape part, which remains the same, sounds different when heard in contrasting acoustical contexts. Cut And Splice Personally, I find these sides awe-inspiring. If you are instead horrified by what strikes you as unspeakable cacophony, we will have to agree to disagree. The original instrumental part of the work was written on approximately filing-cards, in the top right-hand corner of which the relevant main-instrument is indicated by a symbol.
Silly, overly long, and to my ears better than the newer, shorter incarnations. What the score does not specify is the order in which the individual instrumental events are to be played; Kagel suggests instead that each performer should select the events that they want to perform and then discover in rehearsal how best to order them in combination both with the pre-recorded material and with the sounds of the other players.